The goldberg variations

Aria no. 1

Variation no. 1

Variation no. 2

Variation no. 3

Variation no. 4

Variation no. 5

Variation no. 6

Variation no. 7

Variation no. 8

Variation no. 9

Variation no. 10

Variation no. 11

Variation no. 12

Variation no. 13

Variation no. 14

Variation no. 15

Variation no. 16

Variation no. 17

Variation no. 18

Variation no. 19

Variation no. 20

Variation no. 21

Variation no. 22

Variation no. 23

Variation no. 24

Variation no. 25

Variation no. 26

Variation no. 27

Variation no. 28

Variation no. 29

Variation no. 30

Aria no. 2

THE GOLDBERG VARIATIONS

The goldberg variations continues Paluzzi’s exploration of the relationship between photographic and musical tones. This installation focuses on Glenn Gould’s iconic 1955 and 1981 recordings of Bach’s Goldberg Variations, which bookended his career. The 1955 recording, known for its speed and precision, contrasts with the more introspective 1981 version. Paluzzi visualizes each of the 32 pieces through photography, with the top half representing the 1955 recording and the bottom half the 1981 recording. Using darkroom techniques as musical instruments, he manipulates aperture, contrast filters, and timing to translate sound into light, merging visual and auditory expression.

The goldberg variations series

Pigment ink on cotton rag
20 x 25in | Edition of 5
30 x 37in | Edition of 3